‐need not be static 1‐1 mappings! Example: just intonation with continuous autotune
‐note‐on/off metadata!
‐continuous adjustment between note‐on/off of any kind ‐poly vs. mono versions!
Splits are pitch/note switching
‐porta: processed slide ‐arpeggio: (as a sequencing operation, as an effect, as a generated transition)
‐crossfading/morphing also used as a way to transition from one split/switch range to another in a gradual manner‼