‐non‐point sources: speaker cones
‐stick‐slip, bow noise
‐hinged/clamped edges
‐ray vs. wave based analyses: reflections and modal analysis ‐clear reflections from large flat surfaces ⇒ suitable for open air simple geometries and rectangular spaces
‐room modes: irregular room shapes even these out—they do not disappear but attain a statistical evened out quality ‐rectangular rooms are very bad ‐psychoacoustics of rapidly fluctuating system functions vs. comb responses
‐(Speech) intelligibility ‐Moorer statistical analysis for large spaces ‐modal analysis for smaller spaces ‐surface detail disperses strongly (book shelves!) ‐sufficient detail makes wave effects dominate ⇒ combinatorial explosion of room modes ⇒ justifies statistical approaches
‐surface detail and soft surfaces absorb high to mid frequencies ‐bass is difficult to absorb ⇒ bass traps ‐link to room correction part?
‐near‐field effects ‐reactive sound fields